“A Free Woman, A New Creature”: Yeats and the New Woman as Muse by Abbie Mourey
In the third chapter of her book, The Reading Figure in Irish Art in the Long Nineteenth Century, Tricia Cusack records a pivotal scene from a short story by Sarah Grand (73–74). Grand, a prominent, late-nineteenth-century women’s rights activist in Ireland, captures one possible reaction to “the New Woman,” in her story, “The Undefinable” (73)….

